Lunchtime Concert | Two Piano Mini-Extravaganza
This concert celebrates the two remarkable Steinway pianos housed in Luth Concert Hall with performances by Music Department students and faculty.
This concert celebrates the two remarkable Steinway pianos housed in Luth Concert Hall with performances by Music Department students and faculty.
In this one-hour recital, pianist Sonya Ovrutsky Fensome invites you on a captivating journey through time and sound, exploring the evolution of The Prelude.
The Holy Cross College Choir will present a program inspired by Gerald Gould’s poem “Wander-Thirst,” exploring its themes and images pertaining to a thirst for adventure, beautiful landscapes, and personal transformation through the lens of choral music by 20th-century American composers.
The Department of Music is proud to present this concert featuring the Brooks Scholars, its most accomplished student artists.
Diarmuid Ó Meachair (button accordion & melodeon) performs with friends Seamus Noonan (flute), Joe de Georgeo & Ellie Egan (fiddle), and Simon Lace (guitar).
Join us for an inspiring evening of diverse repertoire performed by the talented students of the College of the Holy Cross Piano Department.
Chamber Singers presents a program of music centered around Holy Week with selections reflecting the solemnity and contemplation inspired by the biblical texts describing the events preceding the crucifixion.
CANCELED: The award-winning Bala Chamber Brass presents their second concert of the season, featuring two new works for brass quintet by Holy Cross faculty composers Chris Arrell and Matthew Jaskot. Other pieces include Morley Calvert’s Suite from the Monteregian Hills, and Robert Bradshaw’s “Right Then. Same Time Tomorrow?”
Holy Cross Organ Scholar Jessica Nguyen (Class of 2028) will perform her first recital at Holy Cross featuring works by Da Grigny, Mendelssohn, Bohm, and Bach.
Ulysses Loken performs piano works from Japanese composers Toru Takemitsu and Takashi Yoshimatsu. Takemitsu’s rich Messiaen-influenced harmonic and gestural language is set against Yoshimatsu's elegant modal counterpoint, influenced by Bach, Satie, and jazz and progressive rock music.